MASTERCLASSES
LEVELS: HIGHER-INTERMEDIATE AND POST-GRADUATED
(Choose a group)
CARLES TREPAT - IGNACIO RODES
(8th-12th)
ÀLEX GARROBÉ - ARMANDO MARROSU
(12th - 17th)
RICARDO GALLÉN - MARCO SMAILI
(14th-17th)
Active: 200 ? One class with each professor. As a listener to the three groups)
Listeners: 100 ? (Attendance to the three groups)
Contest listener,s fee: 200 ? (Attendance to the three groups)
************************
ELEMENTAL - INTERMEDIATE
SIMONE IANNARELLI - SEBASTIÁN MONTES
(12th- 17th)
Active: 100 ? (One class with each teacher. As a listener to the four groups)
Listeners: 40 ? (One class with each teacher. As a listener to Elemental-Intermediate only)
Active Contest: 100 ? (Up to 16 years of age"PROMS")
MONOGRAPHS, SPEECHES AND CONFERENCES
FLAMENCO GUITAR
JUAN CARMONA
(7th from10:30 to 12:30 h)
(Group classes with instruments)
- New ways of Flamenco Guitar-
The new armony, the right hand technique.
The masterclass will need the instrument and will work the sensitivity to the guitar sound.
Attendance: 25 ?
************************
JOSÉ TORRES
(12th 10:30 to 12:30 h)
(Group classes with instruments)
- Basic techniques of the flamenco guitar: striking and use of the thumb-
Attendance: 25 ?
OLD MUSIC
WILLIAM WATERS
(9th and 11th from 9:30 to 11:45 h)
(Group classes with instrument)
- Execution of Old Music with the guitar regarding the phrasing, fingering and other interpretative
elements suggested by the same instruents from the epoque and their techniques -
Any piece from the Laud or Baroque Guitar repertoire will be welcome, but students are mainly
invited to show Francesco da Milano and Pietro Paolo Borrono,s pieces.
Attendance: 40 ?
************************
PHILIPPE FOULON
(9th and 11th from 11:45 to 14:00 h)
(Group classes)
- "¿Does an Arch Guitar exist?" -
Proposing the knowledge of the "love guitar":
(lyra viol, baritón de cuerdas (string bariton), viole d,Orphée, Arpeggione or Schubert,s love guitar...
The class methodology will cosist on teacher,s audition, audiovisual material and recordings.
Performing ideas to guitarists about the "fraseo", rethoric, leaning in the musical declamation, use of the "rubato",
about a 16th to 19th century. Attendants can present renaissance, baroque or classique and romantic pieces if they wish.
Attendance: 40 ?
CLASSICAL GUITAR
MARCO SOCÍAS
(15th and 16th)
(Group and individual classes with instrument)
- Chat-discussion about the guitar technique and ways of studying -
Attendance: 40 ?
With Masterclass: 70 ? (One 30-minute individual class. 6 active seats)
************************
ANDERS CLEMENS
(18th from 11:30 to 14:00 h)
(Group classes with instrument)
- "The art of the right hand" -
Course about sound and how to distinguish the different sound spectrum of music on the guitar.
We,ll work the sound, pulse and ear through simple exercises.
This work gives us the musical tools for a clearer and deeper performance.
Adequate to all leves
Attendance: 15 ?
ANALYZING-COMPOSING
MARCO SMAILI
(18th 17:00 to 20:00 - 18th from 12:00 to 14:00)
(Group classes)
- 20th CENTURY GUITAR-
Attendance: 40 ?
FOLK-TRADITIONAL MUSIC
JUAN FALÚ - RICARDO MOYANO
(19th from 11:00 to 13:30 h)
(Group classes with instruments)
- Latin-american music-
Rythmic structures, formal and armonique.
Phrasing and striking for South American music.
Due to the big variety of the subject, students will choose the material to work with.
Initiation to Caribbean, Brazilian and Argentinian:
- Brazil: Maracatú,Samba, Choro, Bayon, Partido alto.
- Argentina: Tango, Milonga, Rasguido doble, Vidala, Gato, Zamba, Chacarera.
Source:
Traditional music of the countries mentioned
Addressed to every musician.
Guitarists: Theory- practice, musical notation and tablatures
Attendance: 25 ?
